
Design / Identity
Conceptualised during the COVID-19 pandemic, Taipei Fine Arts Museum’s 2021 exhibition Affect Machine: Self-Healing in the Post-Capitalist Era reflects on global overproduction and explores how, in a post-capitalist age, art can empower people to slow down and confront their own subjectivity.
Exhibition photography ©Taipei Fine Arts Museum




The visual concept—applied across all elements, from the identity to exhibition collateral and catalogue—was inspired by Rebecca Horn’s Titanus Yellow (1988), a sculpture that rhythmically releases yellow powder from a wall-mounted machine into a glass funnel on the floor.
The yellow circles in the main visual are arranged according to the funnel’s cross-sections, with progressively smaller circles and rhythmic graphic elements evoking a mechanical funneling motion.







This art installation appeals to the senses, encouraging viewers to reconnect with their own bodies and experiences—making it a fitting starting point for the exhibition’s identity. The aim was to create graphics that resonate with the featured artists while, conceptually, sending out a healing wave to gallery-goers.
The exhibition brochure is bilingual, with the Chinese translation typeset on yellow pages.

