
Design / Identity
British-Japanese author Erin Niimi Longhurst’s work provides a view of Eastern culture, as seen from the West, and focuses on the Japanese art of compassion and contentment. Her dual heritage influenced the direction taken in designing a brand identity.

Bespoke Kanji design and edo komon – a traditional Japanese pattern made with countless tiny dots – were blended with principles from Herbert Bayer’s Bauhaus typeface; the round features and minimum angles lend the typeface a cheerful and restful feeling that aligns with the writer’s subject matter. To match this and create a cohesive brand language, the sharp angles were removed from the joints of the typeface for the English script. The logo itself uses both typefaces, creating a visual connection between the two languages and their respective cultures.

A pale orange tone was chosen as a nod to chiyogami, a type of hand-screenprinted paper that originates in Japan; its single colour range often features soft and harmonious shades. The complementary colour was also derived from this research – it’s based on the hue of raw washi paper before it’s dyed.